Here is a little bit of a preview:
Honeybunch is what I used to call my son when he was little. Corny I know, but he was a little bunch of honey. Now he's that species called 'adult male'! This is the story of my quilting life.
Along with Pat came her sister Sue and friend Nava all from the Isle of Wight, and Joy from Southampton. I have to confess I didn't get the fourth lady's name so I am expecting (hoping!) Pat to read this blog post at some time when she gets back home and let me know.
Yes, I've started some hand applique. I'm onto a new project which I aim to get finished before 14th January, 2009, in time for the entry deadline of our next National Symposium. I was halfway on the way to sewing a pattern I bought a year ago which I thought I might enter. It was for a lovely wall hanging and I had decided to enlarge it to queen bed size and make a new quilt to use on my bed. Then I read the entry rules which state entries have to be original designs. Jam on the brakes and come to a screaming halt! It took me a some time to get over the 'oh darn, I'm not going to have enough time to make this plus another quilt' feeling and come around to the idea of putting aside the first quilt and make up my own design. Which I have and it has some applique. Normally I would fuse this, but I don't like raw edge on my bed quilts (O, la di dah, doesn't that sound snobby? Like I've got a huge stash of bed quilts to ring the changes with - not!)
It is not exactly like the original. The bottom is curved instead of having what looks like a gusset insert in the bottom and the handles are wider and not as long, but I'm pretty happy with the result. I love the fabric I used; chocolate, pink and lime green - what a funky combination! In fact it would look really good in a quilt, wouldn't it? Of course it will have to be a much smaller quilt now, since I now have less of the fabric than I started with. But hey, it's not like I don't have plenty of other fabric to quilt with!
I've put the last stitches in the binding of "Night Metropolis" - apart from a label. I hope the picture is clickable so you get a better view. I quilted the 'windows' on Janice's Swiftquilter. I was pretty impressed with how straight I got the freehand stitching:
Bur I have to confess I was going to quilt the grey' window ledge' as well but it didn't go so well so I stopped and ripped out what I had done. Stitching lines on a 45 degree angle was much harder than going up and down. I did the 'in the ditch' quilting on my own machine after I did the windows. I found it too hard to keep the stitching next to the seam line on the Swiftquilter. After that I decided it didn't need any more quilting :-) Considering that I used scrap batting the quilt hangs reasonably straight.
. . . and is held in the left hand. The new length of thread (black) is place under the old thread:
The new thread goes around over the left thumb and under the tail of the new thread (but over the tail of the old thread):
Hold everything between the finger and thumb:
Grab the tail of the old thread and poke it through the loop of the new thread:
Hold both tails in the right hand and . . .
. . . drop the loop of the left thumb and hold both tails in your left hand:
Pull on the old thread to get the loop down onto the fabric:
Hold the loop with your left forefinger:
And pull on the new thread:
Make sure the knot is lying against the fabric:
Voila!
Now thread your needle with the other end of the new thread and continue sewing with the new thread.
One of our members showed Ayumi how to attach the binding:
And a few days later the quilt was finished:
Pink is Ayumi's favourite colour!
Yes, I confess, that batting is leftover pieces sewn together. Yes, I joined the pieces with the sewing machine. Yes, I realise the quilt may not be all that flat (in fact I will be very surprised if if is flat). Well, it is a scrap quilt!
I have finally got around to trimming them all and here they are, up all stacked up and ready to go:
Guess what?
More scraps!
The quilt is quite large, 1.5 metres by 2 metres, and has 140 blocks (10 blocks by 14). I'm calling it "Night Metropolis". It is school holidays right now and I am going out to my good friend Janice's tomorrow. I will start quilting it on her Juki and Swiftquilter. I had better have a good think about how I want to quilt it in the next 12 hours.
Everything you see here is scraps. Everything on the shelves are scraps, in the white plastic ice cream containers, in the orange photocopy paper box lids, in the boxes on the floor. They have been starting to overwhelm me. I cannot bring myself to throw any of them out. I hear my father's voice echoing in my head "waste not, want not". I have been keeping pieces as little as 1" by 1/2" for goodness sake! One of my friends says I have 'scrap-a-philia' and I need therapy. Another asked one of her on-line groups what they did with their scraps. Thankfully (for me), of everyone who replied, only one threw out her scraps. the others are like me, they keep them. It is reassuring to know I am not alone :-)
I have fine, straight, brown (well, it used to be brown) hair. I would have given an arm and a leg to have hair like this. How did my child end up with thick, curly, blonde hair? (I blame his dad, who had flaming red hair as a child)
This is what it looks like with the binding folded back up:
I took these two photos at the same time. I don't know why the colours are so different. I'm such a total klutz at photos. The second photo is more true to life colour.
*Confession time, I did have strips on the side the same width as the sashings but because it still wasn't wide enough I ripped them off last night while Frances and I watched a couple of episodes of Antiques Roadshow. I'll use them for the binding.
Mmmm.... there is enough here for a 'Chinese Coins' strip quilt, and it hasn't made one smidgeon of difference to the size of my scrap pile!
It is very relaxing not worrying about what goes with what, very stress-free stitching. I'll add it to my orphan block collection and someday it will find its way into a community quilt.
This is the finished piece. I've called it 'A Touch of France' because of the colours used. It measures about 74 cm by 80 cm.
The drawers have proved to be a very useful storage space for reels of thread and rolls of fusible webbing, baking paper, lunch paper for tracing, Glad Press 'n' Seal which is now available in New Zealand supermarkets. (when is the freezer paper arriving?)
I covered it first with a layer of thermaldrape lining
Then 2 layers of wool flannel. This is the type that used to be used for babies overnaps. I bought some when 'he of honey bunch fame' was little and never got around to making them. I did use cloth nappies with cloth liners though and I had a few pairs of hand knitted 'bunnies", as the overnaps were called, given to me which I used. So it didn't really matter that I never got around to sewing overnaps using the wool flannel. Much better to use it for padding on the ironing surface :-)
Then a cover of cotton decorator fabric. This is an old Laura Ashley fabric.
The iron cord sits nicely into a holder that came with a second hand ironing board I bought a few years ago so I would have a second iron and board. It holds the cord out of the way and when I unplus I don't have to drop any cords on the fl00r. Saves all that 'using your back like a crane' bending down when plugging and unplugging
Not quite as large as the 'big boards' from USA, but pretty useful all the same.
The second quilt I sold is one I designed for our club's mystery half nighter. Well, the background was the mystery half nighter design. After I had done this version I decided it was a bit ho hum and needed more so I appliqued the flowers and leaves. Then I mucked up the quilting and had to unpick it after I got about three quarters of it quilted and start again. Needless to say I didn't finish it in time for the class, but I did finish another version in different colours without the applique. This is not such a great photo of the quilt that sold but you get the picture?
This piece sat around for ages needing a hanging sleeve and label. I needed a way to make sure the top bits didn't flop over. I ended up hand sewing sewing some really stiff vilene which had been fused onto a piece of the backing fabric, cut to shape, onto the back of the quilt then I added the hanging sleeve.